SKU: 80577858671

HR5

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Description

HR5The OWA HR5 monitors deliver aspects of performance like no other speaker of its size at any price. One of the most important and unique qualities of HR5 is the ability to provide a perfect 100 degrees of horizontal dispersion. What this equates to is simply no matter where you stand the speaker sounds the same. This gives you the biggest sweet spot of any speaker system available today. If you are sitting in what might be described as the perfect on

The OWA HR5 monitors deliver aspects of performance like no other speaker of its size at any price. One of the most important and unique qualities of HR5 is the ability to provide a perfect 100 degrees of horizontal dispersion. What this equates to is simply no matter where you stand the speaker sounds the same. This gives you the biggest sweet spot of any speaker system available today. If you are sitting in what might be described as the perfect on axis position in front of the speakers everyone behind you will still hear the same balance and tonal qualities that you hear. The tremendous horizontal dispersion of the HR5 is based on the design of the speakers at Ocean Way Recording, which utilized this same 100 degree design in every one of the various studios' 18 controls rooms, and is the hallmark of the famous Ocean Way sound.

Until the creation of this unique Ocean Way technology this was simply not possible. This is achieved through the use of our patented twin constant directivity HF and Low band horns and their unique driving elements. The HR5 like all OWA monitors from the smallest to the largest are +or- 1db of matching each other throughout their entire extended frequency range. This provides the listener with superb imaging and the ability to position and set the level of every instrument and vocal in a mix with complete confidence knowing that it will translate no matter where the mix is played.

An important characteristic of the HF and mid band constant directivity horns which are milled out of solid blocks of wood that are totally nonresonant is their ability to provide greater efficiency in their respective bands as compared to conventional direct radiators. This extra efficiency means the HF and LF bands don't have to work as hard even at the loudest level's and requires half of the power of conventional direct radiating components. This translates into very low distortion even at high volume levels. Because of their true constant directivity nature and their unique driving elements and construction these horns sound completely natural without a trace of harshness or coloration. Simply stated they have no horn sound! The high frequency driving element utilizes a 1 inch silk dome with aluminum voice coil with a large magnetic structure so unlike conventional horn drivers it has no phasing plug and there for significantly lower distortion. With 1 watt in at 1k our HF section will produce 104 dB at one meter. The HF section is driven by a separate 90 watt amp. Another important aspect to the HR5's exceptional performance is the ability of each of its HF and LF components to all produce excellent performance well above and below their respective crossover points. This and the fact that the HF and LF band components are in exact physical time alignment and have horns with identical flare rates provides a virtually perfect transition between all ranges. Even if you were to listen one foot from an HR5 the transition between the components is inaudible. It simply sounds like one congruent sound.

It is possible to set up set up a pair of HR5's as virtual head phones and still get a perfect balance. There is nothing manufactured today of this physical size and at this price that can even approach this level of exceptional performance. The unique wide dispersion aspects of HR5 and all the other Ocean Audio speaker systems are traits that are simply not available on speakers made by any other manufacturer.

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SKU: 80577858671

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4.6 ★★★★★
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Verified Purchase
William
Lake Worth, US
★★★★★ 5
This is a must read for ALL writers, not just fiction writers!
Format: Paperback
This is a must read for ALL writers, not just fiction writers! Although, in places, a bit technical, for any writer, not just new writers, for anyone who wants to master their craft, this is a must read book. What can be said about Gardner that hasn't been said yet? One of the best books on writing about writing that I have read. Comparable to Stephen King's, On Writing. Yes, it is that good. In Part I Gardner lays out a compelling treatise about the genre of fiction, what it is and why it is important. In Part II he discusses the how-to of writing good fiction, where he talks about common errors, technique and plotting at length. One of the benefits from reading The Art of Fiction is that it gives the reader a crash course in literature, who many of us that come from a Science, Technical, Engineering and Math (STEM) background are sorely lacking in. This said a writer who has grown up in the sciences, or engineering, or business worlds will find this book very useful in "catching up" a bit to our friends who have read all of classics and can retell significant scenes as though they were there. Again, this is a must (must) read for ALL writers, not just fiction writers.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 6, 2017
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Verified Purchase
G. Fisher
Lowell, US
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information. I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 11, 2025
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Verified Purchase
Artie Anzaldua
Natrona Heights, US
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2026
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Here
Dallas, US
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides. I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people! To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome. Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
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Reviewed in the United States on January 5, 2013
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Verified Purchase
Joel K. Williams
Lake Worth, US
★★★★★ 3
I Recommend It, But Not Much
Format: Paperback
This book is recommended in SELF-EDITING FOR THE FICTION WRITER, a book I have read twice and enjoyed a great deal. I had to give Gardner a try. This is a tough review to write because I can't say this is a fantastic book to help one write fiction. At the same time, there is little or nothing said that I disagree with. So, what's the problem? My confusion starts with my expectations when reading a book about writing. It's a situation where I want to gain information and hints on how to write better, without being bombarded by direction on how to write. This criteria has served me well and I've found a number of writing books that made me write or want to write better; SELF-EDITION FOR THE FICTION WRITER is one, THE FICTION WRITER'S WORKSHOP is another. Judging by that, this book didn't pass muster. Rather than coming away with a new awareness of what I want to include or exclude from my own work, I'm left feeling like I've been having coffee with an experienced author full of sweeping opinions on craft. He's crafty in one way, his ability to pull me in with the sense of being an insider, watching other fiction writers through thick glass. He uses a lot of lines like "The writer who can't distinguish truth from a peanut-butter sandwich can never write good fiction. What he affirms, we deny, throwing away his book in indignation..." The implication isn't about writers of bad fiction so much as it is about 'us', him and I, being partnered in our unique ability to indignantly recognize a lousy writer. In fact, we're pretty decent to only discard the book when we're entitled to exact creative justice on its sloppy author. Still, and here's the rub, it isn't a bad read. Don't skip an hour of writing to sit down with this book but if you're between projects and have the time, I'd recommend it.
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Reviewed in the United States on July 11, 2010

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