SKU: 94468539843

heilige familie anton psenner 1

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heilige familie anton psenner 1Een Heilige Familie vol intimiteit: de gevoeligheid van Anton Psenner De compositie van de Heilige Familie van Anton Psenner schept een sfeer van bezinning door een subtiel evenwicht tussen figuratie en chromatische zachtheid. De warme tinten en delicate glacis structureren de gezichten en gebaren, terwijl het licht de plooien streelt om de familieteder te benadrukken. Het werk geeft de nabijheid van blikken en de eenvoud van het decor de voorkeur, en

Een Heilige Familie vol intimiteit: de gevoeligheid van Anton Psenner
De compositie van de Heilige Familie van Anton Psenner schept een sfeer van bezinning door een subtiel evenwicht tussen figuratie en chromatische zachtheid. De warme tinten en delicate glacis structureren de gezichten en gebaren, terwijl het licht de plooien streelt om de familieteder te benadrukken. Het werk geeft de nabijheid van blikken en de eenvoud van het decor de voorkeur, en biedt een scène die zowel sereen als levendig is. Deze kunstdruk van de Heilige Familie geeft trouw de palet en de fijnheid van de penseelstreek weer, en nodigt de kijker uit tot een intieme en duurzame contemplatie.

Anton Psenner, meester in portret- en religieuze kunst
Anton Psenner, erkend schilder vanwege zijn attente benadering van portretten en heilige onderwerpen, past binnen een traditie waarin realisme samengaat met spirituele gevoeligheid. Geïnspireerd door academische ateliers en de studie van oude meesters, heeft Psenner de codes van het devotieportret weten te vernieuwen door onderzoek naar licht en picturale materie. Zijn belangrijke werken getuigen van zorgvuldig werk aan huidskleuren en texturen, die de personages een tastbare aanwezigheid geven. De Heilige Familie illustreert zijn vermogen om het intieme met waardigheid en emotie weer te geven, waarmee hij zijn plek bevestigt onder de kunstenaars die zich inzetten voor religieuze representatie.

Een decoratieve aankoop met vele voordelen
Kies voor een kunstdruk van de Heilige Familie van Anton Psenner, het is een stuk dat op natuurlijke wijze in een woonkamer, slaapkamer of ontvangsthal past. Het schilderij Heilige Familie brengt een vleugje rust en elegantie, geschikt voor zowel klassieke als moderne interieurs. Onze canvas kunstdruk wordt gedrukt met een hoog niveau van chromatische fideliteit en op duurzame materialen, wat de levensduur van de details en de diepte van het licht garandeert. Ideaal om een rustgevend middelpunt te creëren, combineert deze kunstdruk museale kwaliteit met decoratieve aanwezigheid, overtuigend voor kunstliefhebbers en verzamelaars op zoek naar een werk dat een verhaal vertelt.

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4.4 ★★★★★
Based on 28 reviews
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Verified Purchase
AlanWarner
Bozeman, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015
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Carole T Emberton
Dallas, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
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Reviewed in the United States on April 17, 2018
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pat delzell
Lake Worth, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
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Reviewed in the United States on July 14, 2019
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B. Kirzner
Draper, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
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Reviewed in the United States on November 8, 2021
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V. Young
Alexandria, US
★★★★★ 5
great book
Format: Paperback
This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
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Reviewed in the United States on June 3, 2014

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