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Description
Draaistoel Eetkamerstoel – Schommelstoel – Stoel Met Armleuning – Accentstoel – Crèmekleur – 360° Draaibaar – Frame Van Natuurlijk Geolied EikenhoutComfortabele draaistoel voor aan jouw eettafel Ontdek hoe een praktische en stijlvolle stoel jouw eetkamerervaring kan verbeteren. Deze draaibare eetkamerstoel in een prachtige crmekleur met een natuurlijk geolied eikenhouten frame geeft je maximale bewegingsvrijheid en zorgt voor een gezellige sfeer aan tafel. Waarom deze stoel perfect is voor jou Heb je wel eens moeite gehad om gemakkelijk te draaien of contact te maken met iedereen aan tafel? Met
Comfortabele draaistoel voor aan jouw eettafel
Ontdek hoe een praktische en stijlvolle stoel jouw eetkamerervaring kan verbeteren. Deze draaibare eetkamerstoel in een prachtige crèmekleur met een natuurlijk geolied eikenhouten frame geeft je maximale bewegingsvrijheid en zorgt voor een gezellige sfeer aan tafel.
Waarom deze stoel perfect is voor jou
Heb je wel eens moeite gehad om gemakkelijk te draaien of contact te maken met iedereen aan tafel? Met deze stoel draai je moeiteloos 360 graden, zodat je zonder op te staan makkelijk kunt reiken naar een schaal, een gesprek kunt aangaan of gewoon comfortabel zit. Door het tijdloze ontwerp en de zachte kleur past deze stoel in vrijwel elk interieur.
Belangrijkste kenmerken en voordelen
- 360° draaibaar – met deze stoel beweeg je soepel in elke richting. Ideaal voor flexibele zithouding en een ontspannen tafelgevoel.
- Natuurlijk geolied eikenhout – het stevige frame is gemaakt van duurzaam eikenhout met een warme, matte afwerking die jouw interieur een natuurlijke uitstraling geeft.
- Comfortabele stoffering in crèmekleur – de zachte, neutrale kleur voegt rust toe aan je interieur en maakt de stoel makkelijk te combineren.
- Eigentijds design met gebogen rugleuning – de ergonomische vorm zorgt voor een fijne ondersteuning, zodat je ook na lange diners comfortabel zit.
Details die je wilt weten
- Afmetingen: passend voor standaard eettafels, ontworpen voor optimale zitruimte en draaivrijheid.
- Materiaal: frame van massief eikenhout, gerookt en geolied voor langdurige bescherming en een natuurlijke look.
- Kleur: crèmekleurige bekleding met een zachte, onderhoudsvriendelijke stof.
- Montage: eenvoudig zelf te monteren met meegeleverde instructies.
Geschikt voor elke eetkamer en meer
Of je nu een uitgebreid diner hebt met vrienden of een snelle maaltijd alleen, deze stoel biedt altijd comfort en gemak. Dankzij het stevige houten frame en de draaifunctie gebruik je hem ook uitstekend als bureaustoel of extra zitplaats in de woonkamer. Daarnaast is hij stabiel genoeg voor dagelijks gebruik en past hij in zowel moderne als klassieke interieurs.
Breng meer comfort en functionaliteit in jouw huis met deze draaibare eetkamerstoel. Voeg hem gemakkelijk toe aan je woning en geniet direct van het gemak en de stijlvolle uitstraling!
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4.6 ★★★★★
Based on 1512 reviews
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Product Reviews
★★★★★ 3
Well intentioned but ignorant
It's clear that this author is well intentioned. He betrays his own ignorance in trying to justify why his book only addreses certain native nations, however. The author indicates that the book did not address the native peoples of the Caribbean because they are extinct. To state that the Taino and Carib are extinct is at best extremely ignorant and at worst racist. The Taino and Carib are very much alive. To begin with, there is a reservation of Carib Indians on the island of Dominica. These native people have retained their language and culture. Further, there is a Taino Revival movement happening throughout the major Antilles especially in the Dominican Republic, Puerto Rico and Cuba. It has been scientifically proven via DNA analysis that these people are of partial and in some cases total native descent. The Taino language is being heard and taught again in the Caribbean and Taino culture has always been an integral part of the the customs and culture of the major Antilles. It is very unfortunate to know that even this author is ultimately just another white guy bent on ignoring " incovenient truths ".
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Reviewed in the United States on September 25, 2012
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
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Reviewed in the United States on May 15, 2015
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
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Reviewed in the United States on December 26, 2017
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats."
Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens."
In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015