SKU: 71032304614

Sound Design For Moving Image: From Concept To Realization

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Sound Design For Moving Image: From Concept To RealizationSound Design For Moving Image: From Concept To Realization A hands on guide to integrating sound into moving image productions (both animated and live action), using real world examples to provide practical and theoretical insights into the art of sound design from script to screen. Sound Design for Moving Image offers a clear introduction to sound design theory and practice to help you integrate sound ideas into your productions. Contemporary

Sound Design For Moving Image: From Concept To Realization

A hands-on guide to integrating sound into moving image productions (both animated and live-action), using real-world examples to provide practical and theoretical insights into the art of sound design from script to screen.

Sound Design for Moving Image offers a clear introduction to sound design theory and practice to help you integrate sound ideas into your productions. Contemporary soundtracks are often made up of hundreds of separate tracks, and thousands of individual sounds, including elements of dialogue, music and sound effects. As a result, many budding filmmakers find them a daunting prospect, and are tempted to leave sound to the last stages of post-production. This book, from award-winning Sound Designer Kahra Scott-James, encourages you to incorporate sound into your pre-production planning, to make the most of this powerful narrative tool. Adopting a specific framework in order to help demystify sound design for moving image, the book isn't designed as a sound engineering handbook, but as a guide for moving image content creators wanting to explore sound and collaborate with sound designers. Regardless of medium, the same, or similar concepts can be adopted, adapted, and applied to any project employing sound.Includes detailed and insightful interviews with leading sound designers, including Randy Thom, Director of Sound Design at Skywalker Sound, and Glenn Kiser, Director of the Dolby Institute, as well as practical projects to help you hone your skills using video and sound files available from the companion website - https://bloomsbury.com/cw/sound-design-for-moving-image - making this is a complete sound course to take you from novice skills to confident practitioner.

'The book offers extensive coverage of how sound and animated narrative correspond, backed by ample examples, case studies and interviews. It takes readers step by step through different stages of preproduction, production and postproduction process in a clear, easy to follow manner. Relevant, detailed, inspired.' - Matej Dimlic, Principal Lecturer, University of Westminster, UK

'This is a fantastic book about sound, how audio was discovered, confronted and became too important to ignore, and seamlessly takes us to present-day artwork in sound design tailored for animation but has inclusive moments for all film genres. It’s a document which reminds us of many reasons why good movies sound that way.' - Dave Sluberski, Senior Lecturer, Rochester Institute of Technology’s School of Film and Animation, USA

'This is a great book that comprehensively covers the history of sound design and clearly communicates the dramatic changes happening in professional sound design.' - Robert Steel, Associate Professor, DePaul University, USA

SPECIFICATIONS:

Author:CARRA SKOTT-DAZHIMS - Кахра Скотт-Джеймс

Publisher:Bloomsbury

Language:English

Publication Date:2018

Number of pages:192 pst

Format:Paperback

Width:210 mm / 8,3'

Height:270 mm / 10,6'

Weight:672 g

ISBN:9781474235112

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SKU: 71032304614

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Great Value for a ball my dog loves!
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I wish these ball were in the subscription program! My dog gets sooo excited by the new ball, but her interest in things lasts for a few days. She kills the squeak within 11minutes, but the squeaker stays in place rather than becoming a chocking or swallow hazard, and she still loves to chew it. Next, we must throw the ball approximately 723 times the first day, possibly 496 times on day 2, and just 3- 4 on day 3, at which point she will chase the ball before hollering "it's over here if you need it," while she checks on the chipmunk den. We currently have 17 of these balls in our yard (because we have given several leftovers to a less discriminating doodle next door). These balls hold up really well, get her extremely active for the first couple of days, and are a much cheaper than doggie daycare (after an active morning with a new ball, she is happy to chew on it and sleep much of the day). I always have these on hand!
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Cuba, US
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Pieces chewed off
Color: white & green
My Aussiedoodle loves it. I throw it down the hallway, it bounces crazy, and he chases it. The only complaint is that he can't chew much of the ball part. So now I have to have it put away and brought out for special playtime.
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Doesn’t squeak but the dogs still love them
Our doggies love them!! Very durable! They do not squeak though
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super bouncy and fun for my dogs! they love playing with and tossing them around! hard to see in the water tho!
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Lightweight Balls
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lightweight but solid. Unfortunately, I can't bring to dog park for my dog to play with as the larger dogs will destroy them. Not for dogs that chew through everything.
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