SKU: 93266849115

French Bronze Sidetable Rosso Verona Marble 72cm 1800s - Rocaille Lattice

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Description

French Bronze Sidetable Rosso Verona Marble 72cm 1800s - Rocaille LatticeAn Intricately Cast Bronze Sidetable with 'Rosso Verona' Marble and Ornate Rocaille Lattice Work, French (?) 1800s An exceptional and museum quality 19th century bronze sidetable featuring exquisite Rosso Verona marble top and ornate rocaille lattice work. This sophisticated piece (H. 72 cm, L. 64 cm, D. 47 cm) demonstrates the extraordinary craftsmanship and artistic sophistication of French decorative arts during the 1800s. The cast bronze structure

An Intricately Cast Bronze Sidetable with 'Rosso Verona' Marble and Ornate Rocaille Lattice Work, French (?) 1800s

An exceptional and museum-quality 19th-century bronze sidetable featuring exquisite Rosso Verona marble top and ornate rocaille lattice work. This sophisticated piece (H. 72 cm, L. 64 cm, D. 47 cm) demonstrates the extraordinary craftsmanship and artistic sophistication of French decorative arts during the 1800s. The cast bronze structure features four daintily curving legs pierced with floral and rocaille ornaments, creating an intricate lattice that combines structural integrity with decorative beauty. The Rosso Verona marble top adds luxurious material contrast while the overall design exemplifies 19th-century taste for elaborate ornament and quality materials. In good condition with minor age-related wear, this sidetable represents an excellent acquisition opportunity for collectors of French decorative arts, 19th-century furniture, or those seeking distinctive functional pieces combining beauty with historical significance.

French 1800s - Historical Context

The 1800s in France encompassed extraordinary stylistic developments from Empire through Restoration, Louis Philippe, Second Empire, and into the Third Republic. Each period brought distinctive aesthetic approaches while maintaining commitment to quality craftsmanship and luxurious materials. French decorative arts of the 19th century are renowned worldwide for technical excellence, artistic sophistication, and the integration of historical revival styles with contemporary innovation. Furniture and decorative objects from this period document France's cultural leadership and the extraordinary skills of French craftsmen. Works from the 1800s remain highly collectible for their beauty, quality, and historical associations.

Cast Bronze Structure - Technical Excellence

The cast bronze structure demonstrates exceptional foundry work and finishing. Bronze casting requires tremendous skill - creating detailed molds, managing molten metal, and finishing cast surfaces to high standards. The four curving legs' intricate pierced work, the floral ornaments' delicate modeling, and the rocaille elements' sculptural quality all testify to master craftsmen's work. Bronze's properties - strength, durability, resistance to corrosion, and ability to capture fine detail - made it ideal for furniture that combined structural requirements with decorative ambitions. The bronze's preservation after 150+ years demonstrates quality materials and construction.

Rosso Verona Marble - Luxurious Material

The Rosso Verona marble top adds luxurious material contrast and geological beauty to the bronze structure. Rosso Verona, quarried near Verona, Italy, is a distinctive red limestone with characteristic fossil inclusions and varied coloration ranging from pink to deep red. This prestigious marble appeared in important buildings and decorative arts throughout history, prized for its beauty and associations with Italian culture. The marble's use in this sidetable demonstrates commitment to quality materials and the 19th century's sophisticated approach to material combinations. The marble top's smooth surface contrasts beautifully with the bronze's intricate ornament, creating visual and tactile interest.

Rocaille Ornament - Artistic Style

The rocaille ornament references the Rococo style's characteristic decorative vocabulary. Rocaille - asymmetrical shell and rock-work motifs - appeared throughout 18th-century French decorative arts and experienced revival during the 19th century. The ornament's flowing, organic forms create visual movement and decorative richness while demonstrating the craftsmen's ability to translate complex designs into bronze. This rocaille work connects the sidetable to French decorative traditions while showcasing 19th-century technical capabilities. The ornament's quality distinguishes fine period furniture from lesser examples.

Pierced Lattice Work - Technical Achievement

The pierced lattice work represents exceptional technical achievement, combining structural requirements with decorative ambitions. Creating openwork bronze that maintains strength while achieving delicate appearance requires sophisticated understanding of materials, design, and casting techniques. The lattice's intricate patterns allow light to pass through, creating visual lightness despite bronze's inherent weight. This technical virtuosity exemplifies 19th-century French decorative arts' commitment to pushing craft boundaries while maintaining functionality. The pierced work's preservation demonstrates quality casting and careful ownership.

Four Curving Legs - Elegant Design

The four daintily curving legs demonstrate sophisticated furniture design combining structural stability with visual elegance. The legs' curves create graceful lines while their bronze construction ensures strength to support the marble top. The legs' positioning and proportions create balanced composition while their decorative treatment integrates them into the overall ornamental program. This combination of structural engineering and aesthetic refinement characterizes fine 19th-century furniture design.

Floral Ornaments - Naturalistic Beauty

The floral ornaments add naturalistic beauty to the rocaille work, demonstrating 19th-century decorative arts' love of nature-inspired decoration. Flowers, leaves, and botanical forms appeared throughout period furniture, connecting works to nature while showcasing craftsmen's observational skills and technical abilities. The floral elements' modeling demonstrates accomplished bronze work while their integration with rocaille ornament creates unified decorative program. This naturalistic decoration adds layers of visual interest and demonstrates the period's sophisticated approach to ornament.

72 x 64 x 47 cm - Practical Dimensions

The dimensions (H. 72 cm, L. 64 cm, D. 47 cm, approximately 28.3 x 25.2 x 18.5 inches) create practical sidetable suitable for various uses and settings. The height suits placement beside seating or as display surface, the length accommodates lamps, decorative objects, or functional items, and the depth provides stability while maintaining elegant proportions. These dimensions make the sidetable versatile for modern interiors while the scale ensures substantial presence. The proportions' balance between functionality and elegance demonstrates sophisticated furniture design.

Good Condition - Honest Assessment

The good condition with minor age-related wear represents honest preservation after 150+ years. The notation of some screws added for stability demonstrates responsible conservation ensuring the piece remains functional while preserving its character. For antique furniture, such stabilization is appropriate and expected, ensuring pieces can be safely used and enjoyed. The overall good condition allows the sidetable's beauty and craftsmanship to be appreciated while the age-related wear adds authenticity and character. Detailed condition documentation available to serious collectors.

Versatile Function - Modern Use

While created as sidetable, this piece serves beautifully in modern homes for various purposes - beside seating as lamp table, in entrance halls for keys and mail, in bedrooms as nightstand, or anywhere a distinctive surface is needed. The combination of beauty, quality, and functionality ensures the sidetable works in both traditional and contemporary interiors. This versatility, combined with historical significance, makes the piece attractive to both antique collectors and those seeking distinctive functional furniture.

Investment Value and Collectibility

French 19th-century bronze furniture with marble tops and elaborate ornament represents solid investment opportunities. The combination of likely French origin, 1800s dating, cast bronze construction, Rosso Verona marble, rocaille lattice work, and good condition creates strong appeal among collectors of French decorative arts, 19th-century furniture, and bronze works. As authentic period pieces become scarcer and appreciation for 19th-century craftsmanship continues, quality examples show consistent market performance. The sidetable's beauty and functionality ensure it will be valued and used while its historical significance ensures lasting importance.

Display and Presentation

This sidetable deserves placement where its beauty and craftsmanship can be appreciated and its function utilized. The bronze and marble combination works beautifully in both traditional and contemporary interiors, creating focal point while providing practical surface. Proper lighting reveals the pierced lattice work's intricacy and the marble's beauty. The piece's substantial quality makes it suitable for formal rooms while its practical dimensions allow use in various settings.

Cultural and Historical Significance

This sidetable embodies 19th-century French decorative arts' extraordinary achievements, the period's sophisticated approach to materials and ornament, and the integration of beauty with function that characterized fine furniture. It represents the technical virtuosity of French craftsmen and the enduring appeal of well-designed, beautifully made functional objects. The sidetable connects viewers to this remarkable period while demonstrating decorative arts' capacity to enhance daily life with beauty and quality.

Collecting Context

This sidetable appeals to collectors of French decorative arts, 19th-century furniture, bronze works, marble furniture, rocaille ornament, and those seeking distinctive functional pieces combining beauty with historical significance. It would enhance private collections, corporate holdings, hospitality settings, or anywhere the sidetable can contribute elegance and practical utility.

Available for viewing by appointment at Artemisia Fine Arts & Antiques Ltd, Malta. We provide expert consultation, condition assessment, conservation coordination, insurance valuation, and international shipping with specialized furniture handlers. This French bronze sidetable represents an excellent acquisition opportunity. Serious inquiries from qualified collectors welcome.

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SKU: 93266849115

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4.4 ★★★★★
Based on 24 reviews
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Kindle Customer
Chelsea, US
★★★★★ 5
Beautiful!
Format: Kindle
I heard about this book in a conversation at a craft party and ordered it the same night. I was not disappointed. I fell in love with Marcellus and Tova and their delightful relationship, and with all the ancillary characters that made this book so special. The ending was so very sweet and satisfying as well. Great 1st book!
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Reviewed in the United States on May 27, 2026
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Verified Purchase
Stephanie McCall
Dallas, US
★★★★★ 4
A Remarkable Book--I Want More Like It!
Format: Kindle
I stumbled on Remarkably Bright Creatures among my recommendations. As often happens, the premise intrigued me enough to read it even though I didn't know the author. Well, if Shelby Van Pelt often writes like this, I definitely want more of her books. The friendship between Tova the aquarium cleaning lady and Marcellus the giant Pacific octopus is a definite selling point in this book. It's a great twist on the "A Kid and Their X" trope (the kind of thing you see in stuff like Where the Red Fern Grows, Old Yeller, Free Willy, and so forth). This one, I am pleased to report, is far less cheesy and saccharine. Tova is a multifaceted character whose life may seem small in her estimation, and probably is if we go by what is a "normal" life in a small seaside town. Yet that life has been stuffed with complex emotions, unanswered questions, and a longing for "more" that I think everybody can relate to. At least, I certainly could. As for Marcellus, he's multifaceted, too. A part of me did stick with his point of view, and story, because it is a story of a "remarkably bright," underestimated creature trapped and controlled in a world he doesn't understand. I have cerebral palsy and was diagnosed as level 1 autistic this spring; I'm still looking back and trying to heal from a lot of the latter's implications. So in a visceral way, yeah. I'm not a captive animal or mistreated, but I understood how Marcellus felt. What I liked even better about his story though, is that Marcellus' story doesn't stop there. Marcellus actually has a life and a history that Shelby Van Pelt, Tova, Cameron, and other characters dig into. He's not just a captive yearning for freedom and mourning lost opportunities, as often happens with similar stories. He makes wry, witty, yet quiet, non-snarky observations about humans. He cares deeply for Tova because she took time to know him as a "person," but also because she's the only human who has ever stopped long enough for Marcellus to know as a real "person." Marcellus gets to be the conduit of real revelation and change for people inside and outside his world. That's amazing, and frankly, it's a lot more than many human characters get. Remarkably Bright Creatures couldn't succeed with just Tova or Marcellus though, or at least not as well as it did, I think. The other characters pop off the page as well. Cameron is my favorite, precisely because I didn't expect to like him at first. By his own admission, he comes off as a burnout and a loser, and I admit, that's how I saw him to begin with. But as with Tova and Marcellus, Cameron is hiding a lot of layers, a lot of depth. He's got a great heart, but he's still a typical, kinda clueless 30-year-old guy (and I'm still a 30-something so I say that tongue in cheek). He's vulnerable but not pitiful; he plays the victim sometimes, but then he gets mad at being called out on that and wants to do better. He struggles and is a burnout, but he's got good, solid friends and some real interests and potential. In other words, I got really into his arc, especially once Tova, Marcellus, and even Ethan got involved. As for Ethan, he's unexpectedly cool, as well. I admit some brownie points with him, as I love all things Scottish or Irish and he is of Scottish descent. But I also didn't expect a shopkeeper in his '70s with a gruff edge to be a Grateful Dead fan or to get along so well with a neat and tidy, tiny Swedish aquarium cleaner, so brownie points on plot and character there. In fact, Ethan's role in the story, in particular, went all kinds of unexpected places, so without spoiling anything, I'll tell you to keep an eye on it. Finally, Shelby wins some extra brownie points for a lot of the "little" things that "pop" out at me when reading a book like this one. For instance, I love cats and love the reluctant yet affectionate relationship Tova develops with a stray cat. I love Marcellus' Collection and the pride and care he takes in it. I love and felt some heartbreak over Tova's reminiscing about the attic playroom that never got to be a playroom. But I think the thing I loved most about Remarkably Bright Creatures is how remarkable Shelby showed readers humans--and creatures--can be, without getting heavy-handed or cheesy. There are some romances here, so to speak, but this is a relationship novel, and those are, have been for the past several years, some of my favorite ones. There is some language here, so caveat emptor if that's not your thing. From a writer's perspective, I also wondered how much some threads or characters were actually needed. For instance, looking back, I understand why Tova had a brother, but I'm unsure how much he furthered the plot. Similarly, I understand the roles of Avery and Marco but again, am unsure how much they furthered the plot. Also, I almost hate to say it, and I could be wrong about this. After all, I know about as much concerning octopi as the average person who watches Jeopardy (which I do). But while Marcellus' plot thread is great, and while I definitely understand suspension of disbelief, I did wonder along with Cameron how much those boundaries were pushed. I mean, I buy Marcellus getting out of his tank, and with the right Collection items, I guess Tova and Cameron could've figured out whatever they needed to know. But...there's a logical shard of me that isn't quite sure she buys how everything lined up, I guess. All that aside though, Remarkably Bright Creatures is still a remarkable book. As often happens, I'm now eager to find more like it. And yes, it does get a hearty recommendation. At the very least, I'll want to take closer looks next time I go to an aquarium.
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Reviewed in the United States on January 22, 2025
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S. Oliver
Whiting, US
★★★★★ 5
Great story and characters
Format: Kindle
I had to see what all the hype was about and after seeing the trailer on Netflix I knew I had to read the book before I watched the movie. I have to say, this was one of the better books I've read so far this year. It's not a fast paced read but it held my interest the entire time. The characters are very well developed and I really grew to like Tova and Cameron, of course Marcellus is the star of the show and is as witty as they come. If you're looking for a good read I highly recommend this one. The octopus is a difficult creature to care for so I sincerely hope the "octopus tank craze" doesn't start over this like the "clownfish tank craze" did when Finding Nemo came out. Leave it to the expert level saltwater hobbyist to care for them or better yet, leave them in the ocean. I have to mention too that this is the author's debut novel and for a debut novel it's very impressive, I'll look for others from her in the future.
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Reviewed in the United States on May 25, 2026
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Verified Purchase
T. Sparks
Phoenix, US
★★★★★ 5
A remarkable story
Format: Hardcover
What a wonderful surprise this was! I thought Remarkably Bright Creatures was a story about a woman and an octopus, but it turned out to be so much more than that. This is Shelby Van Pelt’s first book, and I don’t think a debut has affected me like this since I read Hollow Kingdom, another story that unfolds through the eyes of an animal. The story has a bit of magical realism to it, in the sense that parts of it are told from the octopus’s point of view, but otherwise it’s simply a delightful tale about family and connections that had me ugly crying by the end of the book. In the first chapter we meet Marcellus, a giant Pacific octopus on display in the Sowell Bay Aquarium near Puget Sound. Marcellus has been in captivity for 1,299 days, and based on his life expectancy of about four years, he believes he only has a handful of days left to live. His dreary days in a small glass enclosure are broken up by secret nighttime excursions, as Marcellus is extremely smart and has found a way out of his tank. Tova Sullivan is a seventy-year-old woman who has been working nights at the aquarium as a cleaning lady for the past two years. Tova knows how to remove the hundreds of fingerprints on the tank walls and can polish the floors to a brilliant shine. She’s also quite fond of the sea creatures she encounters each night, especially Marcellus, and the two have formed an unusual bond since Tova saved Marcellus one night after he escaped and became entangled in a bunch of electrical cords. Next, we meet Cameron Cassmore, a thirty-year-old man who is drifting through life with no real purpose. Cameron lives in California, and one day his aunt gives him a box of his estranged mother’s things. Inside the box he finds a photo and an old class ring, clues that could lead to the identity of his father, a man he never knew. Cameron hops on a plane to Washington state, convinced the man he thinks is his father—a rich real estate tycoon—will be so distraught over abandoning his son, he’ll shower Cam with money. At least that’s the plan. Finally, Ethan Mack is the owner of Sowell Bay’s Shop-Way, the local grocery store. Ethan has known Tova for years and secretly has a crush on her, but Tova is much too distant to notice his interest. When Cameron shows up at the Shop-Way looking for a job, Ethan directs him to his friend who manages the aquarium, which is how Cameron and Tova meet. Tying all these characters together is Marcellus, a remarkably bright octopus with a penchant for stealing and hoarding the treasures he finds after hours on the aquarium floor, and who just might be able to bring two people together who need each other—but don’t yet realize it. Van Pelt’s chapters alternate among all these characters and introduce a slew of side characters as well, each one vitally important to the story. At first, we don’t realize how each character is connected to the next, but slowly the author reveals her secrets until the stunned reader begins to understand the depth of these connections. Each character is given a detailed backstory that becomes very important to the plot. Tova’s story in particular was heart wrenching, as she has experienced quite a bit of loss in her life and finds herself mostly alone in her twilight years. Luckily she belongs to a group of women who call themselves the Knit-Wits, and the four of them meet weekly to eat, drink, gossip and support each other. Tova came to America from Sweden as a little girl, so the story is filled with details about growing up with her Swedish mother and father. Even the Dala horses her mother collected play a part in the story, and I found these little details added so much richness. At first I couldn’t figure out how Cameron fit it, but once he arrives in Sowell Bay and meets Ethan and Tova, his story takes on new meaning. Cameron meets a woman named Avery who also plays a vital part in filling in some of the missing pieces about Cameron’s father, and I loved the way the author gave even the most insignificant side characters meaning and purpose. Van Pelt infuses her story with so many emotional moments and themes. We see how the Knit-Wits are going through the aging process, as their numbers have dwindled over the last few years. Tova is facing being alone in her old age, with no children or husband to take care of her, and so she makes the rash decision to sell her beloved house and move into a retirement community. I don’t want to give too many details about Tova’s past and her losses, because I think it’s better to discover those revelations for yourself. Let’s just say that I felt Tova’s pain and wanted nothing more than for her to be happy. And Van Pelt includes so many funny moments in her story that kept the tone light, despite some of the more heavy themes. There’s an ongoing bit about Cameron’s lost luggage that was hysterically funny, and Tova inherits a stray cat at one point, which was a delightful side plot. I also loved the story about the t-shirt that Tova uses to clean Ethan’s kitchen—you’ll just have to read the book so you can experience the hilarity too! And of course, I can’t forget the star of the story, Marcellus the octopus. As the days tick by—each of his chapters starts with a marker (“Day 1,299 of my captivity”, etc)---the tension builds as Marcellus gets closer to his impending death (at least that’s what he thinks). Marcellus understands human nature more than most humans, and I loved the way he wisely intuits each character’s needs. Ultimately, this is a story about creatures—both human and animal—saving each other. The way Marcellus’s story plays out was absolutely perfect—heartbreaking and heartwarming at the same time. This is a very special book, and I’m so glad I was able to finally read it. Highly recommended!
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Reviewed in the United States on January 25, 2024
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Verified Purchase
Carolyn Ellis
Dallas, US
★★★★★ 5
It was as good as I'd hoped.
Format: Kindle
Marcellus McSquiddles, the giant Pacific Octopus who has lived at the Sowell Bay Aquarium for going on four years, is often exasperated with the humans who stare at him all day. But there is one human who is different. She speaks to him and more importantly, she keeps his nocturnal escapes from his tank, a secret. Tova is a gentle woman, a widower and still dealing with the loss of her son, more than thirty years ago. When someone new strolls into town, Cameron Cassmore, looking for his dead beat father, he and Tova's lives will become inextricably linked, if they're not already. And Marcellus sees all of this and does his best to assist, where he can, since for the most part, he notices that haumans can be rather dull. But though, sometimes, especially in the case of Tova, there a a few who are remarkably bright. This was a sweet, genuine, heartfelt and beautifully written, fun read. Van Pelt has created a delightfully jaded and long-suffering, sighing character in the form of Marcellus and he and Tova's story is told in such a unique and imaginative way. I'd been meaning to read this for so long and I'm so glad I finally did.
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Reviewed in the United States on May 17, 2026

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