SKU: 65705222550

Movie Still Hokusai, ca. 65 x 126 x 4 cm

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Description

Movie Still Hokusai, ca. 65 x 126 x 4 cmMovie Still Hokusai, 2018 65 cm x 126 x 4 cm Pigmentdruck Pigment print Unikat Unique Piece Original, Ungerahmt Unframed Signiert Signed In Movie Still Hokusai stehen die feinen, klar abgegrenzten Zweige in einem deutlichen Spannungsverhltnis zum flieenden bergang des trkis blauen Hintergrunds. Das leuchtende Orange markiert einen Gegenpol zum ruhigen Farbraum, ohne sich von ihm zu lsen. Die Komplementrfarben stehen dabei nicht in visueller Konkurrenz

Movie Still Hokusai, 2018

65 cm x 126 x 4 cm
Pigmentdruck/Pigment print
Unikat/Unique Piece
Original, Ungerahmt/Unframed
Signiert/Signed

In Movie Still Hokusai stehen die feinen, klar abgegrenzten Zweige in einem deutlichen Spannungsverhältnis zum fließenden Übergang des türkis-blauen Hintergrunds. Das leuchtende Orange markiert einen Gegenpol zum ruhigen Farbraum, ohne sich von ihm zu lösen. Die Komplementärfarben stehen dabei nicht in visueller Konkurrenz - viel mehr eröffnen sie ein Verhältnis wechselseitiger Abhängigkeit.

Orange und Aquamarin machen einander sichtbar, indem sie sich gegenüberstehen; ebenso löst sich die fragile Gestalt aus dem Hintergrund, indem sie auf dessen Andersartigkeit trifft. Das Werk inszeniert so einen philosophischen Gedanken: Dass Erscheinung aus Spannung hervorgeht, und dass jedes Motiv einen Gegenraum braucht, um seine Eigenheit auszubilden. Movie Still Hokusai hält den Moment fest, in dem Kontrast nicht trennt, sondern Beziehung schafft.

Isabella Kilian, Philosophin M.A.

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In Movie Still Hokusai, the delicate, clearly delineated branches stand in tension with the fluid gradient of the turquoise background. The vivid orange forms a counter-pole to the calm field of color without detaching itself from it. The complementary colors are not in visual competition; rather, they open up a relation of mutual dependence.

Orange and aquamarine make each other visible through their opposition; likewise, the fragile form emerges from the background by encountering its otherness. The work thus stages a philosophical insight: that appearance arises from tension, and that every motif requires a counter-space in order to unfold its distinctiveness. Movie Still Hokusai captures the moment in which contrast does not divide but in which it creates relation.

Isabella Kilian, M.A. Philosophy

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Künstlerstatement:
Dieser Pigmentdruck entstand aus der AFTERGLOW-Serie – eine Serie von Drucken, die ich gemacht habe, als ich von der zweiten Blüte der Pflanzen fasziniert war, als sie die Verpackung ihrer Samen, die zukünftige Generation, erschaffen. Die Hokusai-Version ist eine Hommage an den großen japanischen Künstler und Drucker Hokusai. Da der Druck durch seine hochpigmentierten, UV-beständigen Farben aus sich selbst heraus leuchtet, kann er auch Wohnräume beleben, die möglicherweise nicht ideal beleuchtet sind. Im Shop befinden sich weitere Beispiele des Schafgarben-Drucks.

Gerahmt und in einem handgefertigten Lindenholzrahmen gesetzt,  limitierte Auflage von 35 – NUR DREI VERFÜGBAR

Weitere Größen verfügbar, bei Interesse kannst Du mir gerne direkt eine Nachricht schreiben. 

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Artist statement:
This Pigmentprint evolved out of the AFTERGLOW Series. A series of prints I did when having been fascinated by the second blossom of the plants, when they create the packaging of their seeds, the future generation. The Hokusai version is a dedication to the great japanese artist and printmaker Hokusai. This is a beautiful print that really does look good above a sofa because of the emphasize of the horizontal dimensions. As it glows out of itself through these highly pigmented UV resistant colors, it can also enliven living areas that might not be well lid. In the gallery you can see other samples of the yarrow print.

Movie Still Hokusai on Archival fine Art Print – Pigmentprint 2018 Original, framend and set in a hand lazed linden tree frame.

Limited edition of 35 
EDITION NEARLY SOLD OUT! 
Other sizes available, please write a direct message for inquiry. 

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SKU: 65705222550

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Lathers great in a small amount!
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Lathers great for a small amount! A fair price for the amount and rich content. I just bought, used and love it. Definitely will purchase again. I love the sophisticated yet sensible smell doesn't overpower. In my perception it is a unisex scent as I am a woman and bought for myself.
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My go to body wash, you just get so much for the price and it lasts forever! The smell itself is also very relaxing after a long day. It also lathers quite nicely and does it's job well, would definitely recommend
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JP De Oliveira Estêvão
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Cremo Body Wash with Italian Bergamot, Neroli Blossom, and Fresh Vetiver smells far more expensive than it has any right to. The scent hits that sweet spot between fresh and refined. The bergamot gives it a clean citrus lift, the neroli adds a smooth floral edge, and the vetiver grounds it with a subtle, masculine depth that does not scream but absolutely speaks. The lather is rich and concentrated, so you only need a small amount. It feels more like something you would find in a boutique hotel than on a regular store shelf. The fragrance lingers just enough to be noticed without overpowering your cologne or filling the entire room. If you want to step out of the shower smelling like competence and quiet confidence, this one delivers. It is polished without trying too hard, and it makes everyday showers feel slightly upgraded.
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Reviewed in the United States on February 28, 2026
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Kiley Gallentine
Massapequa, US
★★★★★ 5
Profound and timely
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If I could give this book 6 stars I would. The way the world is right now, I needed to do a deep dive into anger. And I needed to see how God wants me to handle my anger. There were some very challenging and humbling parts to this book that I needed to hear. All the application questions at the end of each chapter helped me solidify what I learned and what I needed to evaluate personally. Which leads me to the statement that this book was deeply personal to me and I am grateful for the changes it’s helped me make to reflect God more and myself less.
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Reviewed in the United States on March 26, 2026
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John Beeson
Massapequa, US
★★★★★ 5
Profoundly biblical and wise
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David Powlison’s Good and Angry is a powerful book. In the book Powlison dives deep into what anger is and then gets very practical about how to biblically deal with your own anger issues (issues, he assures us, we all have). From the outset, Powlison makes it clear that anger, while dangerous, can be handled to produce good. “At its core anger is very simple,” Powlison says, “It expresses ‘I’m against that’” (39). Powlison says that each of us handles anger differently. Some of us freeze over, some of us quietly brood, some of us simmer, some of us explode. Powlison encourages us not to look at the way others mismanage worse than us, but rather, how do we mismanage anger? Each type has their own blind spots. Powlison then dives into anger itself. Anger is about our displeasure toward something, so what are we displeased with? And why? How are we justified? Unjustified in our anger? And what do I want to happen? Anger is physiological. As embodied beings, anger manifests itself in us physiologically. How is it impacting me when I’m angry? Powlison then dives into mercy, what he calls a constructive displeasure, or constructive anger. When the constructive displeasure of mercy is functioning as it ought, it has four characteristics: patience (a wonderful biblical synonym of patience is “forbearance”), forgiveness (which is “mercifully unfair” (80)), charity (a spirit of magnanimity), and constructive conflict (“Mercy is not a free pass. It is an invitation to turn and repent” (94). All of these fundamentally point to the work of God and his righteous response of anger to our rebellion. “The constructive displeasure of mercy means the redemption of the world” (102). Powlison walks through how God’s anger works: through his righteous and holy response to our sin, to him taking his wrath upon his son on the cross. He concludes, “God’s wrath is your hope. God’s wrath is my hope. We don’t often hear that, but it appears everywhere in the Bible. Wrath is our hope because love masters anger” (121). The final portion of the book steps back and helps us move through analyzing our own anger. Powlison uses James 4:1-12 to help us analyze our own anger issues. At the heart of this analysis is James’s own analysis of his hearer, that they are fighting and quarrelling because of their “desires that battle within” them. In other words, if we have an anger problem (which we all do), we have a malformed desire problem. In other words, we have a heart problem. Significant in digging into this question is the ability to analyze my own motives. The issue isn’t what has happened with me, but is my heart and my heart’s motives and desires in the midst of any given situation. Key questions to ask myself when in a moment of anger are: “what do I want?” “what do I fear?” and “what do I most love?” (154-55). Powlison concludes with a strong word of hope. God is in the process of changing us and reshaping our heart. Our problem, Powlison says, is that we tend to talk to the wrong person in the midst of our anger – ourselves. But when we turn and talk to our Good Shepherd, we will experience hope and change. I’m so grateful for Powlison's Good and Angry. It is a profoundly biblical and wise book with both subtle and profound insights. I know I have been impacted by the book personally and will both turn to it in the future for personal use and as a resource for others who struggle with anger.
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Reviewed in the United States on April 21, 2017

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